Reya shares her new single “Kinda Like It”

Reya

New single “Kinda Like It”

Spotify

Reya is a London based dark pop artist whose music speaks from the depths of her heart. With Chilean heritage, Reya is originally from Norway but grew up in Spain, resulting in her rich, multicultural upbringing being a key ingredient to her unique style and sound. Her roots play a huge role in her story, with the artist having recently rebranded after previously creating music under a different name.

Reya’s journey to where she is today has been a rollercoaster. Over the last year, the singer, songwriter and producer found herself in the midst of studying final bachelor year in Music production, releasing 6 singles, played on Norwegian national radio and BBC introducing, several shows in London – with the highlight of supporting the Norwegian treasure DAGNY at her London show, and her following show in Norway. Only to have the music taken down… As a result of all this, REYA without the AND returns.

Starting a new chapter under a new name, the artist is finally creating music that she has complete control over, with people that she loves. She explains, “The underlying theme in my new music is essentially taking back control. Step by step, and one way of doing so, was by saying no thank you to certain behaviours and taking charge. This change can be so difficult, however living for someone else and not yourself is even more difficult in the long run. Choosing yourself is always worth the growing pains.” The new sound is much more raw and real, expressing strength over oneself and being reminded of the fact that endings also simultaneously mean new beginnings.

Following the release of her unapologetic track “attention” which narrates owning who you are, Reya now unveils the dark and fiery “Kinda Like It”. The single sees the artist fighting back, as she puts herself in the villains shoes after being disrespected for too long and realising she actually kinda likes it. Sonically, the track emits a shadowy and eerie energy, as a menacing beat and mischievous lyrics transport listeners to the dark side of Reya.

Reya confides, “It was written during a time when I felt like I constantly got wronged by a person, and I put up with it for too long. I wanted to envision myself doing the same bad things to them as they did to other people. However, my mom raised me well enough to only imagine giving out such bad karma through a song, which was good enough for me. Essentially, it’s a way of taking the power back from, and giving it to yourself, and kinda liking the control that comes with it.”

Having garnered acclaim from the likes of

Earmilk, Wonderland Magazine

and

Atwood Magazine

, to name a few, this new chapter for Reya is already proving to be an explosive one.

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viisi shares his new single “Chasing Ghosts” with Chelsea Collins

viisi & Chelsea Collins

New single “Chasing Ghosts”

Spotify

The single is a visceral and melancholic profile on relationships falling apart and the memories that come back to haunt you. Over spectral reverbs and ethereal echoes, viisi and Collins cultivate an illuminated vocal wonderland that glides effortlessly over the track.

With a unique blend of cathartic vocals and atmospheric acoustics, the single leaves you feeling breathless. viisi admits, “‘Chasing Ghosts’ is a turning point in my career. It represents my dedication to keep pushing myself as an artist….we made a beautiful song that perfectly represents our personal struggles with our own relationships falling apart.”

From his upcoming EP

Episode 1: Autophobia,

which dives deep into his core memories, exploring his innermost emotions as a multi-dimensional and dynamic artist, « Chasing Ghosts » is full of thought-provoking lyrics and a wavering beat that lingers long after the music’s over.

Good things come in fives. Dropping his first rough cut as a high school freshman when he was just fourteen, Matthew Borley, couldn’t have known that five years later he’d be touring Europe, playing packed-out shows in the South of France.

Initially sparked by his father during his teenage years, he was Introduced to select verses from ‘90s hip hop pioneers and most controversial rapper of his time, Eminem, Matthew was profoundly impacted by his connection to Hip Hops cutting and unapologetic persona. Being put on the likes of Eminem, while most of Em’s lyrics were PG-13 at best, his father was careful to only show his son lines that connect at a deeper level from cuts like classic “Stan”. Not satisfied with only hearing bits and pieces, viisi did what any typical adolescent would do: he snuck out an old laptop and dove deep down the hip hop rabbit hole. Eminem led to Dr. Dre. Dr. Dre to Tupac. Tupac to Biggie. Soon enough, Matthew’s obsession provided an escape that quickly evolved and made way for viisi.

Based on the Finnish word for “five”, viisi represents past, present, and future. viisi returns to push the boundaries of what it means to be an artist in his upcoming ‘Liiminal’ series. Through his powerful and raw storytelling, his music transcends across unique and universal human experiences that have shaped him as an artist and individual. With a lyrical honesty and unwavering dedication to his craft, viisi is unafraid to delve into his personal experiences such as family struggles, fallouts with loved ones, career choices, failing, self-worth and more. Writing prose with messages of life and dreams and of merit and substance, his visceral approach to the story of his evolution will surely leave fans moved and stunned.

viisi

(@itsviisi):

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Vanity Mirror shares their new video-vingle “Dandelion Wish”

Photo Credit: Mat Dunlap

Vanity Mirror

Announce Debut LP “PUFF”

With Advance Video-Single “

Dandelion Wish

”

Vanity Mirror, dreamy lo-fi bedroom pop via Toronto and Los Angeles, have just announced their highly anticipated debut LP

PUFF

(due out Spring 2023 on We Are Busy Bodies) with an advance single and video for the song

Dandelion Wish

.

Dandelion Wish

features colorful piano riffs and artful backbeats from Vanity Mirror’s Brent Randall (Gentle Brent, Electric Looking Glass) and percussionist Johnny Toomey (The Turns, Electric Looking Glass). Randal describes

Dandelion Wish

as “a sophisticated bedroom pop ditty for wayward situationships. It’s the second single from Vanity Mirror’s debut album PUFF; a vulnerable collection of homespun pop experiments. This lo-fi flower-ballad blends soft nylon strumming with sparkling electric jangle; playful mellotron flourishes with an urgent quirksome rhythm section. Catch a ray of sun in your window and whistle along”. Listeners will hear careful nods to The Kinks, Idle Race and The Raspberries delicately weaved into the hook-filled composition.

The music video for

Dandelion Wish

was made with L.A. based graphic designer/videographer extraordinaire Mat Dunlap and shot on a Sony handycam to get that super lo-fi look. Randal explains, “We always loved the look of

Big Bang Baby

by the Stone Temple Pilots and wanted something like that. This turned out a little different but still has that vibe. Johnny and I have a great love of fashion and large wardrobes so we planned out all these different monochromatic outfits that matched the little set we made in the photo studio. So as we perform the song our outfits magically change from matching satin pink, velvet green, denim blue etc. I think it’s pretty fun. It kind of comes off as an early 80’s local public television children’s show. It’s kind of odd but it matches our vibe. We shot this again with Mat Dunlap who added some groovy lyrical elements too, so all the kids at home can sing along”.

The duo of Toronto-based Brent Randall and Los Angeles-dwelling Johnny Toomey are known for their previous achievements with Los Angeles based, baroque-pop group, The Electric Looking Glass. Both musicians compliment each other stylistically and add sparks to their newest project, Vanity Mirror. Their debut LP,

PUFF

was written, recorded, performed, produced and even mixed by Brent Randall. The resulting album starts where their other project Electric Looking Glass leaves off, with hummable, dreamy pop that branches out into more intimate, less genre specific freeform songcraft. It is a nostalgic collection of songs pieced together in makeshift spaces while traveling between LA, Montreal, Detroit and Toronto. Taping old pianos in public libraries and abandoned houses and tracking vocals in vintage shop basements, Randall sent the tracks to Toomey who recorded drums and percussion in his Los Angeles basement using a handheld field recorder.Listeners will call to mind artists like Emitt Rhodes, Olivia Tremor Control,and Belle and Sebastian. Vanity Mirror’s

PUFF

will see a digital/vinyl release on May 12th, 2023 via We Are Busy Bodies.

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KIANA shares her new single “split decisions”

KIANA

New single “split decisions”

Spotify

KIANA is a Toronto-based R&B artist, known for her moody, soulful and hypnotic soundscapes. Reflecting feelings of heartbreak and melancholy, the songwriter touches on how growth is often painful but beautiful. With a unique Persian and Dutch upbringing, the artist finds inspiration in the cultures that have raised her.

Her latest single “split decisions” is about making the uncomfortable decision to let go of someone who you know is better off without you. The decision comes from an act of selflessness and a desire to put the other person first so that they can find someone who is genuinely capable of loving them. KIANA shares, “The verses are almost like flashbacks that reminisce over memories and who that person was, and is vulnerable in the reality that when you let go of someone – you do continue to think about everything that you had, what could’ve been, and you learn to understand yourself and the other person more when the situation is done with.”

The song title “split decisions” nods to the term used in sports, where a split decision is a decision made based on a majority verdict. KIANA explains, ”In this record, the decision to let go was made while compromising with their different sides. While some parts of you want to hold on and stay, your subconscious and conscious self is driving the decision to let go because you know this connection just isn’t meant to be. When you have a gut feeling and a voice taking over in your head, nothing speaks louder than that. »

With her music always radiating raw emotion and vulnerability, “split decisions” follows suit. The mysterious track is soft yet sexy, feminine yet dominant and most prominently, painfully personal. Listening to KIANA’s music is like reading her journal entries, as she completely lays her emotions on the table for everyone to see.

Her music has gained recognition from multiple radio stations including Toronto’s Flow 93.5 FM and Vibe 105.5 FM and received immense positive reception from her hometown. Today, KIANA has earned over half a million plays globally and has been featured in publications such as

Teen Vogue, Rolling Stone, Lyrical Lemonade, Ones to Watch

and

Red Bull Music

, to name a few. She has touched major stages like The Mod Club Theatre and performed at significant Canadian festivals including NXNE and Canadian Music Week. 2023 is set to be a thrilling year for this artist on the rise.

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MATTHEW HERBERT x L.C.O présente le nouveau Single ‘The Rider (Not The Horse)’

MATTHEW HERBERT x L.C.O.

NOUVEAU SINGLE ‘THE RIDER (NOT THE HORSE)’

NOUVEL ALBUM

‘THE HORSE’

SORTIE LE 26 MAI

– BMG –

The Rider (Not The Horse) » est le deuxième extrait du nouvel album de Matthew Herbert, accompagné du London Contemporary Orchestra. »The Horse » promet d’être l’un des albums les plus novateurs de l’année, un voyage sonore dynamique dans notre histoire musicale et notre relation avec le monde naturel.

Avec ses rythmes palpitants et ses mélodies évocatrices, « The Rider » met en évidence la capacité inégalée d’Herbert à créer une musique aussi dansante que stimulante. Les instruments comprennent des tambours en peau de cheval, des flûtes fabriquées à partir des os des cuisses, des arcs fabriqués à partir des côtes et des poils du cheval.

TRACKLIST DE ‘THE HORSE’ :

1 – The horse’s bones are in a cave

2 – The horse’s hair and skin are stretched

3 – The horse’s bones are flutes

4 – The horse’s pelvis is a lyre

5 – The horse is quiet

6 – The horse is prepared

7 – The horse’s bones are washed

8 – The horse is mechanised

9 – The rider (not the horse)

10 – The truck that follows the horses

11 – The horse’s winnings

12 – The horse has a voice

13 – The horse remembers

14 – The horse is close

15 – The horse is here

Matthew Herbert est un compositeur, artiste, producteur et écrivain primé dont la gamme d’œuvres innovantes s’étend de plus de 30 albums (dont le très célèbre Bodily Functions) à des musiques de films oscarisés (A Fantastic Woman), en passant par des musiques pour le National Theatre, Broadway, des séries télévisées (Noughts and Crosses, The Responder pour la BBC), des jeux (Lego) et la radio. Il s’est produit en solo, en tant que DJ et avec divers musiciens, dont son propre big band de 21 musiciens et une chorale de 100 musiciens, dans le monde entier, de l’opéra de Sydney au Hollywood Bowl, et a créé des installations, des pièces de théâtre et des opéras.

Il a remixé des artistes emblématiques tels que Quincy Jones, Ennio Morricone, Serge Gainsbourg et Mahler et a été un collaborateur de longue date de Bjork. Ses travaux ont été commandés par le Royal Opera House, la BBC et Deutsche Grammophon, entre autres, mais il est surtout connu pour son travail sur le son, transformant des sons ordinaires ou soi-disant trouvés en musique électronique.

Son nouvel album « The Horse » sera une pièce musicale continue, réalisée avec un squelette de cheval complet, plus de 30 musiciens, des flûtes en os, des tambours en peau de cheval, des instruments mécaniques originaux, des lyres pelviennes, de l’électronique et une bétonnière. Elle varie selon les genres : on dirait un mélange de musique du monde, de house, de classique et d’électro. L’orchestration comprendra les os d’un squelette de cheval, des flûtes fabriquées à partir de ses os, les instruments traditionnels du London Contemporary Orchestra et des enregistrements échantillonnés de la vie d’un cheval. Les premières flûtes en os de cheval, fabriquées par Henry Dagg, seront jouées par Shabaka Hutchings. L’électronique finale contiendra des instruments et des techniques développés par certains des inventeurs musicaux les plus intéressants du Royaume-Uni.

Parmi les solistes figurent Shabaka Hutchings (Sons of Kemet, The Comet is Coming), Evan Parker, Danilo Perez (Dizzy Gillespie, Wayne Shorter), Seb Rochford (Polar Bear, Pulled By Magnets) et Edward Waki Edward Wakili-Hick (Steam Down, Kokoroko), Theon Cross (Sons of Kemet) et d’autres.

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Balpores présente son nouveau clip « Rythme Dans Ma Peau » feat Colonel Reyel

Balpores feat Colonel Reyel

Nouveau single Le Rythme Dans Ma Peau

Disponible en digital

Voilà l’été qui s’annonce avec Balpores qui signe un nouveau single électro pop où il invite en featuring Colonel Reyel. La voix du chanteur et le rythme du track Le Rythme Dans Ma Peau nous transportent dans l’ambiance des Caraïbes. Le drop s’enjaille avec l’arrivée d’une trompette et d’un filtre qui crée une atmosphère électro planante. Le gimmick  »

Tu mets le rythme dans ma peau

 » se chante avec beaucoup d’émotion. Le jeu de question-réponse entre les chanteurs évoque une métaphore sentimentale produite par les vibes d’un Dj derrière ses platines.

N’attendez plus, découvrez ce hit solaire et entraînant avec le clip de Balpores et Colonel Reyel tourné en Martinique.

En provenance de la côte Basque, Balpores est un DJ Producteur EDM. Depuis plus de 20 ans, il parcourt les scènes de France et compte à son actif plus de 2 000 live. L’infatigable DJ est reconnu pour ses sets énergiques et festifs aux influences EDM, Electro Latino et Electro-pop. Avec le titre « Follow me to the sky », Balpores a signé sa quatrième sortie de l’année 2022. Il totalise 45 000 abonnés Instagram et plus d’un million de vues sur Youtube.

Colonel Reyel, de son vrai nom Rémi Ranguin, né le 5 octobre 1984 à Saint-Mandé, dans le Val-de-Marne, est un auteur – compositeur – interprète de dancehall, de variété française, de R’n’B contemporain et d’électro français d’origine guadeloupéenne.

Ses chansons ont marqué toute une génération sans parler des nombreuses collaborations avec Gims, Bob Sinclar, Mister You…

En rassemblant plus d’1,5 millions de fans sur sa page Facebook et avec plus de 500 millions de vues sur sa chaîne YouTube, Colonel Reyel s’est imposé comme un artiste incontournable.

On retrouve aujourd’hui Balpores et Colonel Reyel pour un duo estival parfait pour ambiancer les soirées, Le Rythme Dans Ma Peau.

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Middle Part shares his new single “Chinatown” featuring Yuno

Middle Part featuring Yuno

New single “Chinatown”

Spotify

Called “Chinatown”, the punk driven power pop song is all about tackling the burn out born from life in the big city. The track is an eclectic collage of distorted guitars, crystalline synths, and anthemic vocals that deliver the chorus.

I’ve been thinking we should probably get away / I’m over everything and never really thinking straight / But don’t you worry I know that we’ll find a way / The city has its way of always taking everything”

The band is joined by friend and fellow artist

Yuno

who provides a verse and backup for the roaring hook of the song. Together they confront the constant push and pull of wanting to leave New York City and wanting to remain in it.

Additionally there is a fully animated video paired with the song to follow soon after the song is officially released. The video is directed by duo

Glendon & Isabella

who have directed videos for artists such as Portugal the Man and Surfbort.

MEET MIDDLE PART:

Brooklyn-based indie pop artist Middle Part creates synth-laden music in the hopes of making you feel something. Composed with honesty and sincerity, the music takes inspiration from both 90’s and early Millenium alternative bands. Middle Part was born when singer Andrew Selkōw found himself in a serious depression and had to escape his current reality. Moving from Nashville to Alaska – not just to “find himself”, but to figure out how to live with himself – Andrew spent months folding boxes at a local pizza shop. It was in this monotonous and lonely state that he began writing songs simply as a way to get by. After moving to Brooklyn, those same songs – written in a dark time – have found a new light since beginning to work with producer and collaborator, Brian Zaremba. Middle Part’s six-track debut EP

I Wish I Was Alive

is heavily driven by his personal experiences, his shortcomings, his struggle with depression, dissociation and overall loss. It’s about grasping the concept of death, getting older, mental instability and self-reflection. Selkōw confides, “I wanted to make sure and let go of my ego before I pursued music again so that’s a big theme in this record as well as the inability to connect especially when you’re compartmentalizing everything all of the time. I wanted to be really honest and vulnerable in this batch of songs. I’m so goddamn sensitive and hate to show it, but it just bleeds through all of my music.” Listening to Middle Part is like reading one of Selkōw’s journal entries and uncovering all the back and forth he has in his head on a daily basis. Selkōw admits, “I just want people to relate. I so desperately want to connect and that might be the message…art is important, no matter how you decide to approach it. There’s no age or formula, so just create. It’s the most healing form of therapy I’ve ever experienced.”

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Kenyon présente son nouveau clip « NDENGE NINI »

Kenyon

Nouveau clip « NDENGE NINI »

En attendant l’arrivée des beaux jours, Kenyon est de retour pour nous envoyer une dose de soleil et de chaleur avec son nouveau clip « NDENGE NINI » !

Dernier single de Kenyon avant la sortie de son nouvel album « DATA » prévue le 19 mai prochain, « NDENGE NINI » est un titre Afro R&B, entraînant et chaleureux produit par Stately Beats. Avec une voix douce et une mélodie puissante, Kenyon nous embarque toujours plus dans son univers combinant les sonorités tant Afro/Caribéennes que Rap et R&B.

S’inspirant des grands noms internationaux de la musique Afro, Kenyon nous offre ici un single dans la veine d’un Burna Boy version francophone. Des influences que l’on retrouve non seulement dans la mélodie, mais également dans le clip qui nous transporte directement sur l’Île de Gorée au Sénégal. Un visuel parfaitement réalisé et haut en couleurs qui ne peut que nous donner envie de prendre part à la danse.

Kenyon est un artiste franco-congolais proposant une musique Afro- Caribéenne sous influences R&B, dans la lignée musicale d’artistes internationaux comme Rema ou Fireboy DML. Voix chaude et assurée, Kenyon est auteur-compositeur et interprète.

Réputé être un gros performeur en Live, il s’est fait connaître à ses débuts en gagnant le Buzz Booster national.

Signé chez Palace Prod courant 2022, Kenyon dévoile son tout premier album avec le single « AMAPIALOVE ». Quoi de plus logique pour lui que d’inviter sur celui-ci l’artiste phare de son nouveau label A2H. Le titre est un clin d’œil au genre musical Amapiano, courant venant d’Afrique du Sud en train d’exploser au-delà des frontières comme a pu le faire auparavant la scène Naija du Nigeria. Ce clip est tourné au Sénégal sous la forme d’un double clip présentant « AMAPIALOVE feat A2H / A$AP ». Si celui-ci est le titre principal mis en avant, le 2ème titre « A$AP » se révèle être un banger caribéen dans un style Reggae Dancehall ultra efficace, clin d’œil musical à ses débuts.

Septembre 2022, Kenyon nous dévoile en 2ème single « MARIANNA ». Kenyon propose avec ce titre une musique aux couleurs Afro R&B portée par une voix incroyable qui le place artistiquement aux côtés de Dadju et de Tayc. « MARIANNA » est un hit fédérateur et réunificateur entre l’Afrique et la Caraïbe et la gent féminine et masculine. Le titre bénéficiera d’un remix Kompa un mois après sa sortie.

En Novembre, Kenyon revient avec « ZIDANE », un titre rap gorgé de mélo sur une production de Stately Beats et dans la ligné musicalement d’un Tiakola. Il termine l’année 2022 avec le single « TEMPÉRATURE », un titre Afro Pop uptempo fédérateur à destination de la gente féminine.

Kenyon est désormais de retour avec « NDENGE NINI », un nouveau clip Afro R&B dans une veine à la Burna Boy qui prouve une nouvelle fois la puissance de ses mélos et l’étendue de son talent artistique.

« NDENGE NINI » est le dernier single de Kenyon avant la sortie de son nouvel album « DATA » à venir le 19 mai prochain. Un projet aux influences tant Afro- Caribéennes que Rap et R&B comme nous ont laissé entendre titres sortis jusqu’alors.

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Mandarine présente son nouveau clip « Avant l’averse »

Mandarine

Nouveau clip « Avant l’averse »

Guidé par son imaginaire, un enfant traverse seul des déserts peuplés de pylônes électriques. Lumineux et contemplatif, Avant l’averse décrit la nostalgie d’un monde qui s’effondre et l’espoir du renouveau.

Les musiciens de Mandarine mettent le son de leurs instruments (guitare, trompette, saxophone) au service de la poésie des paroles, le tout soutenu par une production aux accents numériques new wave.

Cette combinaison organique/digital qui constitue la marque de fabrique du projet, se retrouve dans l’esthétique du clip, entre direction de la photographie cinématographique (Indydono), effets numériques hallucinants (Martino Palmero) et dessins animés inspirés de l’univers Ghibli (Doucekawa), Avant L’averse est le premier extrait de l’EP à venir de Mandarine qui sera dévoilé courant mai.

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Super Plage shares +1 Music video

Image credit: Marie-Michèle Bouchard

Electronic Musician

Super Plage

RELEASES

Magie à minuit

Album

Spotify

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SHARES

‘+1 (ft. Meggie Lennon, Virginie B)’

Video

LABEL: Lisbon Lux Records

GAMIQ award-winning French-Canadian musician Super Plage has shared the official music video for the song

‘+1 (ft. Meggie Lennon, Virginie B)’

, which features on his newly released album

Magie à minuit,

out via Lisbon Lux Records. The album premiered on glamglare and, with each release, Super Plage reaches new ears: on radio, the artist’s music has received spins from KCRW’s Travis Holcombe, NPR Music, SiriusXM, Stingray Radio, Radio-Canada, and CISM 89,3 FM. He has gained the support of industry publications Notion Magazine, Exclaim!, Le Canal Auditif and Le Devoir to name a few.

Being likened to Empire of The Sun, Claire Laffut, and Le Couleur, his music has been streamed seven hundred thousand across platforms and landed placements on Spotify editorial playlists borderless, Oracle, and Montréal Chill.

Super Plage describes the 10-track album:

“Magie à minuit (Magic at midnight) is a dance-pop album that takes you on a wild ride through the ups and downs of a party night. It has a summery vibe, catchy choruses, and rather loud kicks to light up the dancefloor.”

Super Plage is on a mission to recapture the wonder of the night, beginning with pre-drinks and ending (barely) at the afterparty. The strength of

Magie à minuit

lies in an ambivalence between party and nightlife while giving off a constant sunny glow. Super Plage here finds its marks and imposes a sound more and more recognizable. An album definitely refreshing and entirely devoted to its ultimate quest: to dance and have fun until the end of the night.

Born and based in Montréal, Canada, Jules Henry, better known as the French-Canadian electro-pop musician Super Plage, has released three albums in the span of just two years, namely

Super Plage I

,

Super Plage II

, and

Électro-Vacances

. To top it off, he dropped a 21-track compilation titled

REMIXTAPE

that features remixes of Quebec musicians such as Safia Nolin, Anachnid, Les Shirley, Ariane Roy, Calamine, Laura Lefebvre and others. Super Plage draws inspiration from Robert Robert, Flavien Berger, and La femme.

Magie à minuit

Tracklist

1. +1 (ft. Virginie B, Meggie Lennon)

2. La nuit (ft. Meggie Lennon, Virginie B, Laurence Camille)

3. Forêt magique

4. Pélicans (ft. Virginie B)

5. Laurence

6. Magie à minuit

7. NYE

8. Safespace

9. Attraction

10. Rue Dandurand (ft. Le Couleur)

With his new album,

Magie à minuit

, Super Plage lights up the Montréal nightlife with his subtle and touching House-Pop style. Created during a pandemic period, it is at the controls of his studio « spaceship » where Jules Henry finds his inspiration for this new opus. It is during his « private parties »–

‘La nuit’, ‘NYE’, ‘Rue Dandurand’

–that he invites members of his live band, Virginie B and Mélanie Venditti as well as the female voices of Laurence G Do (Le Couleur), Meggie Lennon and Laurence Camille to the album.

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